They know what they’re doing
Posts
-
RE: When did yall figure out you was micro/macro?
The wires definitely crossed early in life; and the current began running through them, much later, around puberty, and that’s when the inklings of what I liked crystallized around my sexuality.
I’m an observer that enjoys watching macro/micro: the Escher painting, the impossible perspective (especially when the micro is transiting the macro’s innards) but if I had to identify with a sub-type, I would say I, myself, would absolutely prefer to be micro
-
RE: Petrichor - a novel in "open beta" - [M/f, minigiant, post-apocalyptic dystopia, slavery, military setting]
@kisupure said in Petrichor - a novel in "open beta" - [M/f, minigiant, post-apocalyptic dystopia, slavery, military setting]:
@Nyx Thank you SO MUCH Nyx. I was told by someone else on another platform that the way I write is still very “purple”,
Christ. I must be maroon or something, then.
No; I love how you slice, dice, dissect the characters’ inner worlds. Don’t stop it. Don’t ever stop it. It’s a talent that’s woefully overlooked, I think. Too many people get praise for the heavy logistics of moving set pieces in a story (like Snyder); I would rather see their inner world, because painting that fearsomely, but believably, whilst still providing peripheral story and ongoing narrative without missing a beat? That’s talent.
I enjoy Gray and her inner musings. Don’t stop. I mean, entire literary empires have been erected on the inner-world premise ('hem, George RR Martin has entered the chat. And so does Stephen King of his older works, to be fair, we’re talking Lisey’s-Story-era).
Forget those idiots. They don’t know what they’re talking about.
However;
I’m going to use that from now on: “stylistic overwhelm.” Love it.